![]() At the same time there are concert pianists who rely exclusively on reading music. We all know the stories about self-taught musicians who couldn’t read a note rising to fame in their lives. What are the benefits of developing good Relative Pitch?ĭeveloping a good ear frees you up from always being dependent on reading music. So if a trained musician with good Relative Pitch hears a melody, with knowing the key or starting pitch in advance, she would be able to play back the melody accurately. ![]() Having good Relative Pitch means the musician can hear the distance or ‘Interval’ between any two notes. without reference, they can ID the first note of a song as beginning on a middle C), most musicians develop something called ‘Relative Pitch’. While some musicians are born with the ability to accurately identify the pitches they hear, known as ‘Perfect or Absolute Pitch’ (i.e. Minor) or to identify the type of scales being used (i.e. What I mean is that they have spent a lot of time developing their ability to hear different qualities of chords (i.e. ![]() And no I’m not talking about the good-looking Brad Pitt kind. The short answer is that they have good ears. But how is it that some musicians are able to hear a melody, be it a simple folk song or a complex jazz riff, and then can play it back on their instruments without reading any music? What is ‘Ear Training’ and why is it important? As musicians we spend a lot of time practicing our instruments, learning how to read, developing effective technique, understanding theory, etc.
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